SOLDIER, WORKER, REBEL, ANARCH: AN INTRODUCTION TO ERNST JÜNGER
In Ernst Jünger’sIn Ernst Jünger’s writings, four great Figures appear successively, each corresponding to a quite distinct period of the author’s life. They are, chronologically, the Front Soldier, the Worker, the Rebel, and the Anarch. Through these Figures one can divine the passionate interest Jünger has always held toward the world of forms. Forms, for him, cannot result from chance occurrences in the sensible world. Rather, forms guide, on various levels, the ways sensible beings express themselves: the “history” of the world is above all morphogenesis. As an entomologist, moreover, Jünger was naturally inclined to classifications. Beyond the individual, he identifies the species or the kind. One can see here a subtle sort of challenge to individualism: “The unique and the typical exclude one another,” he writes. Thus, as Jünger sees it, the universe is one where Figures give epochs their metaphysical significance. In this brief esposition, I would like to compare and contrast the great Figures identified by Jünger.